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THE PLAY PRESS
... specialises in publishing new New Zealand plays, both to preserve a range of quality scripts and to make texts more accessible for rehearsal and study. We are interested in all types of playscript and any other performance related work.
• The Susan Smith Blackburn Prize - The Play Press sponsors a woman's play to this prize each year, chosen from the shortlist of the Adam NZ Play Award (formerly the Playmarket New Play Award).
• The Live Screenplay Competition - The Play Press organises this each year, offering a professional reading to the winner. (Please contact stuff@playpress for details.) The 2010 winner is Peter Griffin with his screenplay, Doodlebug.
• FREE:- Group-Devised Work: The Rights of Co-Writers, Devisers, Co-Creators, Actor/Writers & co. by Jean Betts; includes suggestions for ways to avoid disputes and resentments, and some draft agreements to aid discussion and negotiation. (This booklet is currently being adapted by the Playwrights' Guild of Canada for use by their members.) Email if you would like a copy (PDF or posted).
In Preparation ...
Sit On It by Georgina Titheridge
The Christmas Monologues by Thomas Sainsbury
Kikia te Poa by Matthew Saville
Me and Robert McKee by Greg McGee
HISTORY
The Play Press grew out of *The Women's Play Press collective, launched in 1994 by Lorae Parry, Viv Plumb, Fiona Samuel, Cathy Downes and Jean Betts. WPP was formed initially to publish plays of ours performed in 1993 in a festival we organised to celebrate the centenary of women's suffrage in NZ. Since then, several of our plays have had excellent sales, productions nationally and abroad, and inclusion in school and university curricula. (All enquiries regarding The Women's Play Press plays are welcome.) However in 2001, feeling that there were still too many good scripts languishing unpublished that needed to be made available, I established The Play Press as well.
The Play Press retains its special commitment to women’s plays and The Women’s Play Press sponsors an entry into The Susan Smith Blackburn Prize each year.
It's sometimes hard to get playwrights to see the importance of play publishing; perhaps because we have long accepted theatre's ephemeral nature and any desire for 'permanence' seems unnatural; perhaps because of the difficulties we imagine adapting a production to the page.
However, there's a very low demand for photocopies of a play manuscript. Once published, as well as magically assuming new dignity, status and permanence, a play becomes accessible, included in libraries, curricula (it generally won't be studied unless it's published), and made available worldwide - so there is a greatly increased potential for it to be licensed for productions. Quite simply it can also ensure that playscripts are not lost forever (the last known copy of Frangipani Perfume was found down the back of someone's sofa). It's worth noting too that there is a variety of fellowships and writing grants only open to 'published' writers.
The Play Press has had a great deal of support, especially from Creative New Zealand, Playmarket, Daphne Brasell, Anton Carter, Tim Jordan, Joe and Charlie Bleakley, Fane Flaws, David O'Donnell and generous friends. - Jean Betts
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